A reading and conversation with Amanda Thomson. Thomson is a visual artist and writer who is also a lecturer at the Glasgow School of Art. Originally trained as a printmaker, her interdisciplinary work is often about notions of home, movements, migrations, landscapes and the natural world and how places come to be made. She has exhibited nationally and internationally, and her writing has appeared in The Willowherb Review, Gutter and the anthologies Antlers of Water, Writing on the Nature and Environment of Scotland, edited by Kathleen Jamie, and The Wild Isles: An Anthology of the Best British and Irish nature writing edited by Patrick Barkham. She earned her doctorate in interdisciplinary arts practice, based around the landscapes and the forests of the North of Scotland, in 2013. She lives and works in Strathspey in the Scottish Highlands, and Glasgow. Her first book, A Scots Dictionary of Nature, is published by Saraband Books; and a collaboration with Elizabeth Reeder, microbursts, a collection of lyric and intermedial essays, is published by Prototype Publishing. Her second book, belonging: natural histories of place, identity and home is published by Canongate Books, August 2022.