Raised in the East Yorkshire flatlands on the fringes of Hull, Katie Spencer's landscape has always been that of open skies and widening rivers. Industry still shapes the city here. The people, as with the land, are moulded by tides and stark horizons. Stand in the same place for long enough and you can watch the sun rise over the North Sea and then sink into crop fields, glowing auburn in late-summer sun. It is this sense of space and movement that flows through Katie Spencer's music.
The songwriting, and most notably her guitar playing stems from a time when the steel-stringed instrument was truly finding its voice. Artists like Joni Mitchell, James Taylor and perhaps most evidently Michael Chapman, flow into her sound, carrying with them the warmth and idealism of the early 70's folk and songwriter movements.
Katie Spencer's highly anticipated new album, The Edge of the Land (2022), follows her debut release, Weather Beaten (2019) which was praised for its unique song-craft, spell-binding musicianship and crystal sonic clarity, as she brought together fans of music from all backgrounds and walks of life. Delicate and un-rushed, the ten songs on The Edge of the Land drift by like ships on the horizon, yet intimacy and introspection still remain.
The inclusivity found in her recorded works is most apparent when on stage, with a personal connection and humour that allows the listener time to appreciate the emotion of the music. Her historical gig list is extensive, taking in the world-renowned Celtic Connections and Cambridge Folk Festival, whilst performances with Danny Thompson and Alan Thomson have left audiences in awe of her confidence and craftsmanship.
As live music returns to our world, we can expect to see Katie Spencer where she belongs once more, eyes closed, in the moment, performing.
The way Katie plays is never contrived, showy or imitative; it sounds true a world-class folk guitarist fRoots
Katie's guitar playing has echoes of my dear friend the late great Bert Jansch. Like a musical weaver she threads her poetic lyrics through the guitar's strings and produces little tapestries of song Ralph McTell
She makes her own quietly ingenious musical statement through the notes and silences, making every note, phrase and musical punctuation mark count in a deft, elegant and intelligently undemonstrative fashion Katie's stylish blend of warmth and precision proves intensely captivating! Folk Radio
Transport and Parking
The content of many of our web listings is provided by third party operators and not VisitScotland. VisitScotland accepts no responsibility for (1) any error or misrepresentation contained in third party listings, and (2) the contents of any external links within web listings ((1) and (2) together hereinafter referred to as the "Content"). VisitScotland excludes all liability for loss or damage caused by any reliance placed on the Content. The Content is provided for your information only and is not endorsed by VisitScotland.