ATTENTION! A narrative song cycle for extroverted mandolinist and orchestra (Chris Thile, mandolin and vocals)
Chris Thile, mandolin and vocals
BBC Scottish Symphony Orchestra
Claire Coffee, director
I adore orchestras. Whether scaled up for grandeur, or down for intimacy, nothing makes me prouder to be human than hearing a stage full of highly skilled orchestral musicians practicing their craft together. It’s magic, and it’s something I’ve been desperate to participate in since the early aughts, when a hero of mine, Edgar Meyer, walked me through the score of a violin concerto he wrote for another hero of mine, Hilary Hahn. In the late aughts I wrote a mandolin concerto, but after performing it quite a bit for a year or so with some truly lovely orchestras, I realized that it was basically the musical equivalent of fan fiction (like I’m tempted to rename it “Bartok meets Adés for coffee at Edgar’s”). SO, I went back to admiring orchestral music from afar, even as I continued to monitor my inner ear for something that might justify another attempt.
A year or two ago, a tantalizing text from my pal, Eric Jacobsen (“Thile, whatever you wanna do with orchestra, we can make it happen!”) prompted more pro-active monitoring and I started hearing bits of what would eventually become “ATTENTION!” I was confused at first, ‘cause these little aural visions included not just mandolin and orchestra, but singing AND talking as well. Whoa, ok…FUN. Further dreaming led to the conviction that there should be an actual STORY, not just loosely related vignettes (which has pretty much been my MO on long form pieces with vocals up to this point). But WHAT story? I’ve always loved writing songs based on short stories, so I started there, widened the search to essays, then read a bunch of plays, but every time I got excited about something, a nagging little voice (probably remembering my last orchestral piece) would say “Yeah, but why would YOU be the one to musicalize this story?” Ugh. Fair. Ok, fine then: what is a story I like to tell about something that happened to me that my friends seem to like hearing? Ah HA! THIS ONE, hands down, no contest. If you’ve ever had a couple rounds with me at a good cocktail bar, chances are I’ve trotted it out, and the thought of turning it into a piece of orchestral music got my inner ear cranking like never before. It’s a ridiculous story, but it’s 100% true, and the more I’ve worked on the telling of it, the more aware I’ve become of what a profound impact the whole experience had on me as a person who loves to make things and show them to other people.
Credits: Virginia Arts Festival, led by Robert W. Cross, and Virginia Symphony Orchestra, led by Eric Jacobsen, are the lead commissioners of ATTENTION! by Chris Thile. Co-Commissioners are Boston Symphony Orchestra; Carnegie Hall; The Knights; Los Angeles Philharmonic; Louisville Orchestra; and National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts
Hailing from the Scottish highlands, Rachel Sermanni is an enchanting singer-songwriter, whose performance and lyrics draw from a deep well of mysticism, dreams, nature and the simple-complex experience of being human. A contemporary folk musician influenced by a wealth of genres including jazz, rock, old-time and traditional. Her latest album Dreamer Awake was released in September 2023 via Navigator Records.
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